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About this collection
Astaroth Legion
The Legion of Astaroth is the second infernal host in the catalogue — a different court of hell with its own look. Where Agares brings armoured weight, Astaroth's court sets griffin knights beside priestesses of Astarte and Asherah, and their wings, headdresses and regalia give painters long clean surfaces for blending and freehand work.
We print the set in resin in our Wrocław workshop under Clay Cyanide's merchant licence. Every figure is cleaned, cured and checked, with supports removed from the faces and detail surfaces before it is packed — the preparation we would want for our own painting queue.
Scale options are on each product page, so the same figure works on a game table or as a display print. Models arrive unpainted, ready for priming; they are collector's items rather than toys, with safety information on every listing.
With all those wings and that regalia, Astaroth's court is as much a blending exercise as an armour job: long gradients across wings and hoods, one candle-warm light source if you feel ambitious, and the occult props picked out in bone and brass. It is the set we suggest to painters who want to practise smooth transitions on figures that forgive a restart.
Everything is printed to order, dispatched within 5–10 business days and shipped across the EU, with parcel lockers in Poland.
The court in full: Astaroth herself, a 100 mm display queen with vast bat wings and a base of writhing damned souls; three demon knights riding griffins on 50 mm cavalry bases, armed with a chain-flail, a drawn bow and a two-handed axe; three 32 mm demon warriors with a greataxe, a duelling sword and a recurve bow; and three priestesses of Astarte and Asherah carrying a mace and sun-shield, a trident and a skull-topped staff. The ten-figure bundle holds the whole court: six figures at 32 mm, three at 50 mm and the queen at 100 mm.
That spread of sizes is what makes the legion versatile. On a skirmish table the infantry and priestesses form the core, the griffin riders sweep in as flying cavalry and Astaroth waits behind them as the final encounter; on a shelf the queen stands alone as a painting showpiece. All of it is Clay Cyanide's sculpting, printed in Wrocław under the Commercial Crafters merchant licence.
The griffin riders are the delicate members of the court — wings, a flail chain and a drawn bow are all slender parts — so handle them by the mount and the base, and pack them separately when you travel.
The lore gives the queen a clear reading: Astaroth is the twenty-ninth spirit of the Goetia, recast in this court as Astarte reborn, and her followers carry that double identity. Paint the priestesses as servants of Astarte and Asherah — the sun emblem on the shield is the obvious place for gold, and the leaf-frond headdresses can go living green or dead gilt, depending on how corrupted you want the cult to look. On the queen's base, keep the writhing damned souls darker and cooler than the figure above them, so the crown and the vast bat wings stay the brightest shapes on the shelf. One warm glaze over the gold of the whole court ties all ten figures together.